Flossie caught sight of the clock and jumped up. “Who was it said that woman would be the last thing man would civilize?” she asked. Joan tried to enthuse; but the words came haltingly. She suggested to Joan a candle that some wind had suddenly blown out. The paint and powder had been obvious, but at least it had given her the mask of youth. She looked old and withered. The life seemed to have gone out of her.!

Madge finished buttering her buns. “Kant, wasn’t it,” she answered, “who marvelled chiefly at two things: the starry firmament above him and the moral law within him. And they’re one and the same, if he’d only thought it out. It’s rather big to be good.” The speaker ceased. There came a faint sound at which she turned her head; and when she looked again he was gone.

She gave Joan a hug and a kiss, and was gone. Joan joined Madge in the kitchen, where she was toasting buns. At a corner where the trams and buses stopped she lingered for a while, watching the fierce struggle; the weak and aged being pushed back time after time, hardly seeming to even resent it, regarding it as in the natural order of things. It was so absurd, apart from the injustice, the brutality of it! The poor, fighting among themselves! She felt as once when watching a crowd of birds to whom she had thrown a handful of crumbs in winter time. As if they had not enemies enough: cats, weasels, rats, hawks, owls, the hunger and the cold. And added to all, they must needs make the struggle yet harder for one another: pecking at each other’s eyes, joining with one another to attack the fallen. These tired men, these weary women, pale-faced lads and girls, why did they not organize among themselves some system that would do away with this daily warfare of each against all. If only they could be got to grasp the fact that they were one family, bound together by suffering. Then, and not till then, would they be able to make their power felt? That would have to come first: the Esprit de Corps of the Poor. “I know an old actress,” he continued. “She’s the mother of four. They are all on the stage and they’ve all made their mark. The youngest was born in her dressing-room, just after the curtain had fallen. She was playing the Nurse to your mother’s Juliet. She is still the best Nurse that I know. ‘Jack’s always worrying me to chuck it and devote myself to the children,’ she confided to me one evening, while she was waiting for her cue. ‘But, as I tell him, I’m more helpful to them being with them half the day alive than all the day dead.’ That’s an anecdote worth remembering, when your time comes. If God gives woman a drum he doesn’t mean man to take it away from her. She hasn’t got to be playing it for twenty-four hours a day. I’d like you to have seen your mother’s Cordelia.”